The beetle moves between complete form and abstraction.
Against the ice-blue denim, four Akire beetles appear in full, worked by hand in green beads.
Alongside them, two further beetle forms are deliberately deconstructed.
Their familiar parts are separated and repositioned across the denim, allowing the motif to be read beyond its complete silhouette.
At the reverse, gold beadwork introduces a final shift in colour a quiet departure from the green composition at the front.
Complete and fragmented forms sit within the same piece, exploring the Akire beetle through placement, interruption and the hand.





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